Alla SACCHI, Andreas Oljemålningar

Bilder

Oljemålningar Från A till Z

Information

9033

Hagar and Ismail in the Desert ug

c. 1630 Oil on canvas, 96 x 92 cm National Gallery of Wales, Cardiff

9036

Marcantonio Pasquilini Crowned by Apollo sg

Oil on canvas Metropolitan Museum of Art, New York

9034

Portrait of Monsignor Clemente Merlini sf

c. 1630 Oil on canvas Galleria Borghese, Rome

9032

St Francis Marrying Poverty d

1633 Oil on canvas 292 x 201 cm Galleria Nazionale d'Arte Antica, Rome

9031

The Three Magdalenes DFY

1634 Oil on canvas, 68 x 50,5 cm Galleria Nazionale d'Arte Antica, Rome

9037

The Vision of St Romuald af

c. 1631 Oil on canvas, 310 x 175 cm Pinacoteca, Vatican

SACCHI, Andrea

Italian painter, Roman school (b. 1599, Nettuno, d. 1661, Roma).Italian painter and designer. He occupied an important position, midway between Annibale Carracci and Carlo Maratti, in the development of a more restrained, less decorative painting in 17th-century Rome, a trend that culminated in the 18th century with Pompeo Batoni. Sacchi trained with Francesco Albani, Carracci's student, and taught Maratti. His often expressed devotion to the art of Raphael and Carracci and his criticism of the views of Pietro da Cortona and Gianlorenzo Bernini made him, with Nicolas Poussin and Alessandro Algardi, one of the most significant representatives of a stylistic and aesthetic opposition to the more flamboyant, extrovert aspects of the High Baroque. Sacchi did not, however, share Poussin's passionate interest in Classical antiquity, nor was his mature work as cerebral. Yet his mature style, less richly coloured than his early manner and more restrained emotionally,

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